电影的 墓地
剧情简介
(B(:arefoot \(r ,o/adtrip -around Guine*a in +-search of t !)[he f._ir,%st film m$ ade# \ by a l)]oc[!al *;filmmaker_-. A charmin\g #and cinema:(-tic adventure, w #here^` th[`+e journ \ey a`(/nd th-e desti(n#ation ++are eq=ual ?ly important, and a film]* ab =o* ut c(ollective memory and ?porous film reel(+.s. `-Does a fil)% m$/ exis +t if n.=o one has ^ seen it? Guinean f,@ilm director Thi,?er!+@no S-oul;\eyma?ne Diall )._o goes o):n a ?b-a ;refoot road tr/)#ip around hi_,[`s ;(countr_.)y * to f(*`ind! the mythical 1953 fi`_lm ‘Mouramani’::# – the first $ Gu!inean fil*m ma) d e.` by ` `^!a local f-:%ilmmak^- +er. But it is `` not easy to find the film or anyone w h\o ha*; s seen it f:_[or tha? : t matter.])( Some ; b+- elieve it^ is about,- %(/the Islamisation )[(of the M; a:n; dinka people. Others th,at it i s abou[,$t the rel!a. tionship between a d =;og an! d its owner. Along the / w`?ay, Diallo passes old, abandone-d c`=i]+ [=ne%)ma)^`s an #?;d du sty = piles o)f moisture-d.+ama$!ged film reels. ‘The Cemetery; + of Cinema’- ^-is% a charmi=ng, c +inema,,!ti]\c^[ adventure in w=[h[_ich the journe!y$ is a`lmost a :s important !as t h[e de!stinati#on,:=:= and wher%,e th+=e encount-*ers\` along the way remin,@@d us of th- ,e importan!( #ce o...+\f pres^e!\rving %a sha red !`memory and. culture l h eritage.