我用夏天! / 比拟你

剧情简介

　　A gl$anc]e ]`lead*s to =a smile, ^;a smile to a rendezvous:; every;^ lo,-;\v/e s(
tory begins the same way$ .$ `. These narrat^%ives a*re stored in s%ongs and po em+s _:and live 
on beyond the@ir inevi`table endi\
ngs, as Shakespeare#+.’s ti?!tular sonne.]_t 18 also sugg#_^ests. In) Mo;?ham\,mad 
S*$hawky H-\assan’s meta;fiction^al essay, a fem\,ale?#)
^[ narr*ator who wishes to tell t(+he s_-.t\ory o !*f a love ^between two men e]%n_counters -%-a poly/amorou.s chorus of lovers,  $,and th is oft-told tale  is-] multi.@plied. In:# . Club Scheherazade, there`@ is no protagon[=ist, and ev,ery song has var?ious v[
]e $rsio_,ns.
 Heteronormative dramaturgy i :s c
^!hall-^/enged polyphonical_])ly a+nd across a rang!*e of me`dia: lovers ask ?_each other about
#,^thre!;/esomes,
* Grindr contac,t$$s and $past * d\ates. P*op cliché+-s (,[are twisted, hear tache* permeat^es the ?*?men’s s?in/ging, :+_a?[!n^:d :?
p\+oems by Wadi ^h S =aadeh are read !?.out while a $(lov%er’s dirty lau\:+n/@dr[.?y is air# ed. Th]=e n+?*]arr#ator mis+=chievously tri]/es  for a happy end-i/_=;ng`=- !(as her c!=,haracters;^ )exit the s#.tory. “If pain could b^+ e for[g$;otten through w;+o\rds,” we hear at o[ne .,point, “no love?*+r / would ev.\er +[^=have @*to  ` /walk a/wa) *[y w+ounded\/.”