玛丽玛丽血玛丽[!电$影解说]

剧情简介

　　墨西哥%;超+` 现)实吸血鬼片$，导演Juan López Mo[]ctezuma是JODOR!^)OW\=SKY大师的`$好#)\友，曾经.参 _.与杨大师多部经典CUL/T片的拍摄工作。　　A be`_a=*ut[ if\\ull artist+ (Cristina Ferrare) moonlights a_s a vampire +while in Mexic o, ki/`lling love!;rs of$)\ bot[h@ sex. *% It^! s$*)eems that the[ only perso!?*,n who has any\( chanc# e o_(f st
opping [h%er rei)@gn of terror i[ s her father ?(John Carr\
adine), who's `_als[_o a vamp?`ire. M+odel *.[and f@uture TV
. host Christ]=)i
na Ferrar;e is a le sbian va@mp-%ire whose vict\? ims are dy@#ing]% to quench/ h.;er (`thirst for ! blood\.+] Mexi%/can author:
=ities and her f+ather (John Carradine);(( t/_ry %to ]@ _come=
` betwe:en;% Fer[;rare and her next _=;#target's nec^\k in this*  horrifying ^`shockfes\@t. / ]　　
^Juan Lo?pez`^ Moctezu[])ma&#/-.39 s M_ ARY, M=;:=ARY, BLOODY MARY (1975) is one
; of thos%e mov
\%ies you watch and, aft er !mentally cataloging all the things\ wrong with /i)$t, realiz-e how c?, o=- ol
$ it re al,ly is..?`. most
`@ly b_ecau%\se of all the things you though:t we^+@#re wrong with it. +C^,risti(
na Ferrare is/= +]such a Pampri\n hea* dach/

e o--f!=;
an actress,^ as stiff as a ^$!\ce;l-)lu?.lo  %id c+[ollar, a;^#@nd\, yet she do\es c*/reate^* one of cinema&!`/^;#[:*39s mos;@?t inter_`e%+st%;ing vampires. In man
]y way,s, .\Ma] *ry couldn't) be wo]%rs!#e at what ==she does - while the [early murd%er $o^(f ]a man interested in `more than her p?+[ai$ntings g=![oes o/ff@ smoothly (Miss Thing slyly sliding a h)[`$a/:[#irp#in out o,f %#he/_r*;/ c hig)]non duri.]/ n!\g female superi_or sex@- and.(#` /,$ using it t_ o(

lay$: open h `%is :jugular)^], her nex__-t victim (%
a?: fisherman, wh]]^om )/she has attempted to drug) nearly fends her off *until she tak es h-im .down \;in one of t :he ]m@_.o,s*
t ungainly [ vampire attacks of all time..　　Elsewh+ere, =M#\ary pro#
ves ]^
hers=elf  a complete ch[i/?cken s,hit in mom% en#^ts of t[ensi^on, as when she breaks down i+n b).!)ig b $ oo-boo t
]e ars when ]*%co
nfronted^ ??on a country r_oa? ^[d by a myster/i//ou:s fi)gure cl
ad in)^ b@]l/ack. She&#/39s /($[ lach^_rymo_se, (
e`motionally* w/it(
(,hd\^=;rawn, s$?exua[lly disengaged and(@+ her a==rt ;_sucks... wha\ t a perfect #*[_por!=trai(`/t + of an Ugly A.!m-!e ricana spre.ading the white man&# ]39s poison ^/+south+ of the bor$der. It'%s in this context _ tha$-t^: t.he cheapne\(;ss,:* of_ the \%_produ]],(c(tion, [!the har-_sh 70[s ?+decor,% the cold, perfun#@cto@#ry performa nces a nd the wa/\ll-t;=o-wal[!_l Muzak score act\:ually begi$]:
n/ ^ t].o s#eem lik`[e grou/^nded artistic choices an\ d have :* a lot to do.[+ wit h why; I keep comi!+ng back to thi]s one.)@　　M=A* RY
, MARY, BLOODY M
.ARY e,[/nds in a;% s[)urpr!]# i!/^singly cynica l bl\ *oodbath of u%ltraviole*nce@#- th,at leaves o nl$y the pa
#;thet .ic title *= character :=standing... ?or in reality%/ on her%*  knee,s suc$_king the l #ife out-  of the [: one, person whose lov,e `sh(.e had relied on to# ,@point he@*
r to so?me ki^nd of normalcy. Not
enough vampire -=movies use awkwardness a[n\(d inc!.$ompe^tence !as c#%har
act@)er t=rai@
t#`s to define their=]@ _#b$loodsuck @\(ers$@ and that\9s too bad. George Romero h/ad similar[ ideas #( for MARTIN (*-\1976) ; a year late#r but por!@ traying vampires as just )/folks is =;defi+
.nitel]@=y the horror ro. ad not taken.