造物的^奇迹

剧情简介

　　Wunder der Schö_p*)fung is an ext]raord[^$inary, fas!cinatin!-g Kulturfilm? trying to 
explain the who#le huma^n knowl?=.^`edge of t*h:e 1920s --ab`[_o _ut the world and t_$he universe -. 15 special-$.; eff _ects[= experts and $9 camerame;
n were invol-ved in the produ/%ction o-`f t=@his fil=m which c@_omb;ine;s document ^a@%[^ry scenes, his_t+_`orical d!]ocument[s, fiction ele*!me%/nts?, animation scenes an,d educat#i=o,.nal impact].%% It its beautifull --.y colored, using tinti!@ng and toning in a :@very # :elaborat$ed way.* (@=Some visual ideas in th-(e ] sequences @ ;with ==a (-
space s[huttle visi=!tin/\g di- fferent %/@p.lanets^
% in the un`ive$)rse ^_seem to ha.@ve to b #e the): .inspirat^)ion for Stanl?(ey Kubrick's 200 1: A Spa^[,;ce) O#)
dyss)+=ey.　　In the conte
x?t -of Ge rmany's Kulturfilm phenom#;enon, Wunder de-r Schöp/fun,)
g was ,
among the g@re@\`atest ^!ac@/hievements of the 192^0s. Th+(e p]$%.r%od ]uction was constru( cted, r/.ehearsed*`, and sho*t over[% a period of tw):$o and a half ye!%ars, under the s@u,##pervisi[_*on of ^#Hanns Walter Kornblu ([ m. The ide [ a t-o des ;cri^@%be the universe and man's :;+place: in it well sui*@ted U$ FA's G_;,!rossfilm?^.
men t:!a *^l
#ity,  one +ye^)_a)-\,r /,-,^bef_!ore the Met; ropolis catastro$!/phe. Hundreds of @=/skilled craftsm?en part icip](]ated in#- t,(h%e proje;_?ct,[ $ buildi#?ng ,@pro.ps an,_d):@ co:nstructing scal!!e^ models drawn by 15 sp *ecial effects d.raughts=+men
*-, w;^hile 9?: ca#)m]-e#+ramen i* `n separate un#its w`.[%-orked on the histo+[.rical, documentary, fi))ctio+/n, animation, a;$n??d science-fic+(-/tion sequenc(es. Witho ;+ut star roles [!$%or e)ven p:_rotago()n/)[ists-[]$, the film's plot i+ s cr
o$;wded wit!$h [@
meticulously structur_.ed=:*: and ski=llful)@^ly a?cted si!`^ngl .e .*scenes a$n ar;*tful mosa-ic \,_)`of_/ ^[small vigne$;]ttes. /^/No les_^.s than four credited uni=versity profe:ssors ensu^+(re d/%# the f`[ actual background behind #the sci)-ent\if$$;ic /and h:istorical e
! ven%ts po.
):rtra-yed.　　The _film's symbol of progress and the new %\sc]ientific era\ i/s a s+pacecraft, /tra@[%velling  thro) /ugh \%the Milky Way, _m!aking  all the pl$anets,+ [ and .[their #_/ins%pir;ing wo\`_r`:ld.(s familiar[+\ ^ t]o _ us, ,wi@!\th the extravaganza of their d!isti
`@?nct?$;ive features. The film)#'s e.^duc`ational [:in/]tentions, however, @)bec[ome stea;]?dily m (ore obscure, hu+ [m;orous)^, or ev]_en ca+mpy//[+ a?s this populariz_ation proj,:ect p$r!ocee^%d]s+ .
=W/\ith the excuse of p%[resenting t@
h-e end of the world.- a[/ not-so-new concept as a%+ new, und\ eniably !@scien:+*
t;/ific :?.truth, t he film veer .s h[ap-[pily along a new path, +d$^isplaying de:tai!`led apocalyptic$=-
 scenes* of the e^:n d* of ma nk*.@i[[n%d. F ;or!$ today's audienc
[`es, t=%hi $,s amazing,-@ fi-*lm de_monstrates how the u_`ni%.verse w*as compre)hended.; in the 1920:,*s, )]@and how t]. ha t vi]ew was !,sold to co+-?n_t^
emporary a-udien^ce/+s.