心中的/故乡

剧情简介

　　Syno^psis　　D?o-s)
eong (Yoo Min) =#-i/[s a child m^^ :o@nk who, lives at a small/ mountain temple with)%= ^the  `\head: monk (Byeon Ki,-jong)%:`, l$earning the teachings of Buddha. :He becomes attached\# to a) young widow (Ch(oi Eu\)n-hee) who comes to)#*@ pra#$y -_a+@=t the temp, _le, an!d,^  the childless]@\ w
idow e;ntreats -the head -monk $
)to_ :*?let @ ,her raise Do-se-,_ong as ;]her %=^own :?, son. Conflict ensu%/;$es when Do-seong's real mother (Kim Se!on-y?oung) appears, but^ ;s^he le %aves =the tem!%ple for@% t(?he (sake of her son&#/-_39]s futu
#./re. O`n the $day the wi,dow i] %s to, take th
e chi@%ld down from th e mo#!untain, the`+ head monk disc-[ove*@@rs that Do-seon[g has k illed a bird by ens(! =n?aringit .in a trap and deci\ des n*.o`]^.t to#?[ let @*the boy go into the secular wo!$%rld. W$h_en Do-seo(n*(]g ++:[f[\inds /
out that his real moth(^er^ has been to the temple, h+e set?s o^ut _:to find her.　　Notes　　&quo @tA( f^?ilm t:hat has garnered r]((-e@c%, ognition for its cinematography an^:d% direction by e$l)i[minatin[+g se ntim /entality and unaffected)!ly capturing$ the quiet life `o* \f a@ mou;nt^[ain ]tem?ple._ A-[
Hometow)_n in  ;/He?%-a$=rt%: dem_ons]\,trates the ]camera t/.ech\(niqu!.e\, and +directorial skill of movies that appe^-^ared after the$/ liberat/?io_n @] o.,=f Kor[ea], ."　　A Hometown in Hea)rt%`, adap! ^ted from pla*,[ywri%gh\t -;/Ham Se-!deo\k&#-^39s A Little Monk (#^D`on*@ g-seung), was ha#iled upon its releas
%e as$( "a masterpiece,] t
`%hat ($marked a new pi*n`.`na/c%,^,l.%+e in Korean mov-@_iemaking ;,after the  *liberation, .&qu!:`ot Eschewin`$?g(\ new-sc;hool senti#-mentality _to qu ietly expres []s a b#oy's long+ing fo!=r maternal ^+love, the !%\film unfolds the eve*ry%day lives of thre _e gener+/at_, /ions+\th;e h-^)e]ad m-onk, \_a (@young monk, and a littl,*e /$_?c*=^hild mo;]nkagainst the(- backd^
rop of a q+)^uiet temp@!le[ in th;e mount`]ains_. The lo/ng sh! o
(ts ,@utilized -%\by d^:?_irecto]()r of$__
ci^nematography H
an )Hyung-mo to_? = c-apture ; t-he beautifu;=l scenery of\ the mountain tem@ple from a d./ist;an+)ce recei)@ved g=! reat crit[ic *al acc-l($a?$[im at^
# the@_ t.??-ime. Also,^ each of ;(]th(]e film&,#39s -ch+ aract[er]s i*s c`o`nvi_ncingly po[rtrayed th!ro#/ugh the skillful ](/direct:]:ion of*$^ Yo%on Y%ong-*_
kyu . In particular, the*@ sce/n#e which expresses +Do-s??eo.@!ng$^^9`;s*$ !@?d:esperate# /,^`y
earning for a =,
mo! th_er&#39,@^!#s love and hi^s$. %\.birth %*%)m)o[t_^ her's past visi*+t to )the temple by combining the@m in+to a dream s!!e[+:@q\
!(-ue nce reveals deep consideration for articul[ ating story a%;$nd emotion via a com;p]ressed !*vi:sual gra\mm,`ar without. te]*nding toward senti*! m=?entalism. The movie',s fina
/,l scene, in ?[/which Do-seong awakens fr  om his dre am and sets* off dow$_#n the path i]n * search of his moth[er, i]s  *?bo[``th touc/;hing a n];
d b`!,eautiful. T;-he film + also feat)^ures Choi .[Eun--hee, in t.$he -part of the young widow[[ who war\\)mly embraces D$\/o
^-se]ong_ with her @love+, i(#-@%n one .#of her first! rol^[^es.　　Afterw]+=ord:　　- `=Lee Kang-su, w: riti)= ng un?der the pseudony:`m of K(#wak I#+;l ]=-byeong, first adapted p )layw.right H[am Se-deok&#39s A Little Monk :.(Don%
g(-=seun#\g) \\into a
( s(cr.#%e?enpla#%y, whic._h w(!as t.;_hen shot for the *:` silver `-!s*creen *with  additional embellis!hm=!ents/^% by the directo-;r.