不安?分的年轻人们

剧情简介

　　Middl_[e class student@] Bob* Letellier en)ters a new world whe `\n he meets Ala=,%[(in,`/(+ a free-thinki+;ng rebel who.), along]** w
  ith his.* grou  p of young_ Pa]/[(\r.isians, h/as opted*[ for a life of !+i^@ns=)\t;^$ant gr``at/ific* *@atio*+n
#ins tead of-$ wor[
! k and ]$commi\tment. At a p$ar#$ty, Bob mee^
^t#s .`a young woman, Mi#c, who a?$ppears to be jus$t as _ca refree an[;d cyn
i[;cal as Al+ai n. %Mic's only dream is to ow)[n +a luxury ca%:r, @and with Bob's he^l;
p, she man;:=ages ,#%#to : fin $d the money-, to b% u:/t i.?t. (]/M^_ic's friend=== Clo disc`overs`, she _:i,,s p$?regnant and, not knowing w/@ho the father is ?, she$` asks `Bob to m`/.arry her. Whe;$n they next\ m#eet at a party, _/Bob @\and Mic deny t* h%!at (they have any :\f ee*`?,lings fo,]r ;,one :anot-h**$er -=,- a/@+ declarat+ ion\ t `hat?]) soon leads to tragedy...　　　　Marcel Carn(é$? # is wi`-]_del)?y r
egarded as one,$ of_$ the s)ta([%nd:^[ar+)!d b!+earers of Fr_ enc-h =]_qua:`?#lit,y c^=\inema $#of the 1930s a;nd 1940s, []@res\-#pon ^sible for such mast($erpi#eces a:@!;s Q:;*u]@ai des brumes (1938?-) a[
!/nd Les)+ En.@!fants[% du Paradis (@;19:]45). How ironic then t.)\hat, i($,n  *#1-958, :\^#t / ow@ard=^s the end%? o
f his film-making car eer, h@e s)@hould mak\@_e a film which dar!?`e%`:d to portr\,]ay the *; _attitudes@(+ ** and be`havi+ ou=r]@ o@.
f t$?^he 1950s youth, in *_a way that  eff)]
_e `c#[tively c%)aptur`%es th=e mood and
^+ sentiment of the$* tim[?e.　　　　Le;-s T(/richeurs was a hugely controversial f?+
ilm ., not least because@ o f`- its blatant d epiction of adolescent free-love,,[\ and was: even banned @in some)* re gions of :France. It also received some intensely/ unfavo_ ?urable r)]**eviews, mos ;t notably fro]=?]m the young hothe^ads on the Cah ier)s d^(u cinéma such as Franço-i^s Truf;`faut who\ cite+d this fi$[lm$ as a# ]prime! e `xample of th(^e %,*_@decline of Fren(,ch cinem/a into medio

^-cr(!
ity. -_/In spite of all/ ;this neg!?\ative pr `.!ess, t%
,[he film proved -$to be :an *%ast_onishi]ng c)+-ommercial;= su%@=ccess, attr \?acting five million cinema-:
^go=^ ers, and w:as award]`ed th -e Grand Pri]x d,\u Ciné:
ma français in . $1958.　　　　Whi\#^ls-t Les Tricheurs is not as flawless @+a+;s Carné&#
,
=3;9-)s earlier mast%#
erp)ieces, it is\ noneth $^eless, a sign;if :;#icant w- o;_:rk,?# ha*#ving the po(@wer to both shoc k a nd ?-`move#!+ its audience, -[whilst having gre.at en\$.tertainm=[ent value. It evo%kes(; _the mood !@o ]f its [@t=im]e in a way that few .F*ren
)ch fi(lm\,s of thi-=[s peri%^` ,od did, de#=,\picti@ng young+^] people as pleasu] re-seeking r#ebe_\ls, rejecting the austerit\y and disciplin_,e of the @prev ious]] ? genera  tion ^whil#?st \_pursuing *a li)((f^:e w]!i%thout cares,^_ responsi:bilities or =love. S_imi) larities with Ja\
mes Dean&#\+ 39s films of the 1950s (,m ost notabl)y Rebel withou+t . a Cause) are apparent, alth?$?ough Car;né's treatment of young peopl[e is far more*[ abst[\_rac;]_t -  in his film they mer+\ely symb%olis/e ^ a wo]rld] tha#
t ha\s \-$lost i
@ ts way, more or less v@ictims of post-war pro.]sperity. Although the yo ung peo`ple i*n Les]` Triche,%urs lack the aut.henticity  to: +\ be to]*(tally cr`%(edible, the fil!+(:m d oes make^ an impo\rt#^ant, an^_\d indeed quite**+* di?sturbing. ??poi!)nt, about wh .e_@/re the p@ermissive soc\iety m!-?/ay ]be heading.　(#　　　Muc \(h of the ([ :
pl [],easure of ]the film is+ in the perfor=-ma=nces fr)om `$it_s, four lead a.ctors, Jacq,ues Ch^-a^*r $rier, +Pas=ca,^)l_=e Peti=t, Laurent Terzieff and A\ ndréa Parisy,  (alth$_//ough onl_y Terzie:@_ff is/ re:[a,l]:ly co-(_nvincing i`n (his r+$^(ole. Ma :)rc!
el Carné originally considered Alain Delon and Je! )an-Paul Be lmondo/ for the parts of Bob=+) and
` Al$#ain resp (ecti+vely, before op;
ting for !\Charrier and Terzief-f`. =[#As a co:ns+_@ola
tion-, !Ca :rné offered Belmondo a smaller=( part in the film`/- - alas  too small for the !)actor *\to be not_.`iced ?by the pu% blic. Belmo
[ ndo& `#39s breakth^#r%ough had to $wa, it until )the f@)ollowing !year w)*h @[en h*@ e starred=^ in J=ean-Luc Godard&#39s revolut.ion;?-ary /=A bout de souf-
fle, a film= ] whi+:ch \?o`=:ffers a very(\ di^:fferent p

^erspec_+tive;; of the youth generation.