四重)+)奏

剧情简介

　　It (has been*! s*a]=id that most gre`!:at , \twen\ tieth ce;[$nt?ur%+y novels include .s `c,)en+.es in a@; hotel, a symptom o:]f _!t]he va $s;t ; upro)[ oting that] ha/#s occ_ urred i,?n the last century: James Ivory begin!^#s Quartet wi(^th- a [montage of the hotels] (#,of *Mon%tparna
:sse , %_a. quie,t prelu.de =:bef^ ore our introd#]_uc#.-t]ion t*__:o the violen!^tly l =]os$,[ t souls who inhabi-!t t]hem.　　Adapte!=d )fro m the 1928 a!^utobiographic:^al novel by) Jean Rhys, Quartet is
/ the story of a lo@ve quad# .:ran*=gle betwe@]*en a complicate:=.d young West Ind;./ian w
_oman: na:med Marya:] @ (played by Isabelle Adjani),# her husband/ Stefan (A-/nth-[@[on ;y Higgin=s)
%, a manipulative Engli_sh /a?,`rt [ patro
n =%named Heidler? (Alan Bates), and his p%;ainter wife!@) :^?#Lois (Mag?:g
ie S mith).
] Th@e film)) is set/\ in th[=`$e: ,,`G*`olden A+^ge of @P$aris, Hemingway's "moveable fe.,%a[
*s-t^]" o* +f`  cafe cultu re and e)xtravaga%+nt % n:ight#,life, glitter and ?^)=l%@it;$erati: yet u_ndern!eath is th,e outline of some thing sini$;ster -beneath the polished brasses *
and b@r =]=asser.ies.　　W;hen Mary* ]]
a's husband i)`\s put in a Paris priso(n on c,[har@:.g_e^`s of selling stolen+- art
; wor:[k(s, % %she is lef-=t[_ indigent and is/ t$ake*($[n in by Heidler and@!# his w,$ife: the predatory=_
English=[man ;`(whose charact:?er Rhys bases on the no_veli() st .*Fo^\%!rd  Mad: =ox Ford) is quick to ta .ke(; advanta-ge of the new living arrange#^ment, a[n^-
d Marya- fin?:*]ds 
he ];rself in a st-r(an/gleh/old ,)betwe!e
n hus; _-band and w,.*if.`e. Lov;ers alt ernat((ely gravitate towa=)rd a/%;nd are rep(elled by eac#,)h ot,her, now pr+
@ofess@ ]in%*) g their lo__ve, = #)now) conf(%*:essing th ei_)+:[r bru_[t[%al indi+fference --\ all the ?whi:)le kee
;ping up\ a!ppear[)ance s. The
= 
fi)?lm(( e[xplores the\; v+ast territory between the &q;$uot!`+nice&q]uo!^t and;@/ the &quo%/%tgo,$od," betw@*[een )-outwa*rd  refinem #en-@\\t and [email protected]%\er darkness: after *:o+ne ^[viole?nt episode[, ,Lois asks Marya% n`:ot to speak o#[f= it to the Paris crow!(d. &quo\[tIs that^= all you're worrie,`d +_)abou@$t/);?/-;" demands +[an(] outr-_aged Marya. "[,!Yes,&q+uot Lois replies with icy c]*and%or, "@as a ma#t.@!t\%er of*^ ;+f=act +=."　 ]　Adjan*^i won the; Be[_st Ac %tress award at Can/$nes for  h@*:
er performa ]nces+ in Qu@-.a$r =.+=tet: her Marya is$!@ a volatile compound of French schoolgirl and scorned mis=`.*t
r-(es:s, veer ing be`tween tremulous joy and -`)h.ysterical outburst.
Smith=: s,,-$hines i`%#n on[%=e
@%o;f her m*?o#+st mem ,orable roles: she imbu .es Lo is w?[ith a K]at$+h= `@e,/rin[ =e-o:f-Ara*?gon `imp,*oten*t rage, ]as% humiliated *
as #she is p\=o ](=wer!/%)less in$.#$ the fa;)ce of her \@: husban
)d=,]9s, -`ch: o\-ic@]es; . He]r interac__=tio]+ ns with Bates are scenes from a marr`i)(%%age tha_t ha.s moved from disillusionment to pa\le acc$eptance.　/.　Ruth Prawer #\,Jh!.abvala and ?$Ja:me(s Ivory&]#39s screenplay u@%;s$!/!es Rhys&##39s novel as]
_ ,\=a foundati [on%+ from which i!t c
[ ;onstru/%cts a world tha. ?.t#! ) (+@is bot$h true to the[# novel , and d;
is,tinctive in its own right, painti-;ng a society`/ tha $#t has l@ost its inhibiti on/,s and inadvert.=ently lo-\st it/#s soul-. We a[[[re taken to  -)mirrored )cafes, then mov-)e% through)
 the .looking( ?[glass: Mar=^::y%a,?( in $one sc-ene, + is offe.red a job)* ! as$ / #a m[]odel !=%!and +(then finds her` self:!= in a sad#_omasochistic por:,nogra/pher&#-39s ,st=` u)$ d^/io.$ The fil_]m,/ a:s photographed by Pier.:re Lhomme, c
reates thoroughly cin?e mati/_c [,.moments; t# hat Rhy's novel co ul,-],d [ no=t ha*ve attempted: /$(in one of the Ivory's most /:!m_+ emor
$able sce,nes, a b@lack(+ American` chanteu[$se (extraordin-arily played b !y[[ Armelia [:McQueen) ent,?#[ertains Parisian patro;\=ns with a bi::g and,= brassy jazz+ s?ong, neither subtle nor elegant. Ivory keep#\s,;_ th@$e c^amera on th(^e sin/$ger's act/: there is something* ; ^in he*r ungua,[#rded smile tha@t makes )#,t h\(e danger beneath
+ Montparnasse ma,nners seem +$!/more acute.