逝水]? 年华

剧情简介

　　一直作為米路斯．科曼 [劇本鐵三:%-\,角（-另.一?\\位是帕培 ,錫，也是本片編劇之一）成員的艾.% 雲．巴薩，當然也走低度戲劇路線。同是音.樂家的彼德與卡; 洛老友重逢，生活狀況?大不同 #，_你有伴侶我有#**家庭%
，然]而都有說不出]/的不明
!!朗，唯有以 酒與音樂) )代替口(*水。全片推展-不問目的，只在剎那間的].意_ 圖，行行企.%`企比@起]*科
,曼更義無反顧，卻有生活淡如流水的詩意和繆思@_，叫觀眾聯-!-想到二十年後的伊力．`_盧馬。巴薩鍾愛音樂的程度不下於文`字和=)
電影，古典音樂與民間音樂於全片迴轉迴盪，( 難怪成了奇斯洛夫/;(`斯基*十大心愛電影之一。　　　　康` 城影展青年評審團獎 )，美國全國影評人:/協會特別獎　(\　　　這部1966年的珍品，是捷克新浪潮短暫%生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，.(舊)@同學是個窮音樂教;師?)/`，有時 在 ))喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣:復罕見的旋律，\-一@[,!部憂鬱的喜劇，或灰色喜劇。　　　　- Dave Kehr, Chicago R_--#=eader　　^ )[　　Iv- ^a=n Pass\er's (Cutter&**#39s -+)Way and Crea?tor);  @/last film t
o be made in his native Czechosl._ovaki#a is. a.
bou\t f.ri:ends – musician Petr and m=;$usi c t,!ea.+ch(er Karel – reunited@$ when Petr /* \@re $*turns to to_#wn for a pe  rformance*(.== Passe?r frequently `col;-.lab.orate;]d with `;.Milos Forman and th$*``e epi_(sodic, low-act/=`ion a$ %@esth_=etic?; t,h\#;at ]w as evident-# in Forman's early ;]work ca@-*n be seen here. Y(!,ears of` separation ^h;ave bred apprehension #=betw!)een the two me$_ n, and Kare:]l&#`,39s  simmering jeal+=;ousy makes the`#ir me=;eting,+ a-*].ll the more awkward.+$ Eventually, t/=,he ba?rriers/( / crumble enough for the +%pa+\)ir to freely^ di!scuss @their  li/ves. The film's [simp$?le beau (%ty _is in@ \)the)].) de#tails o%/%f the **)men's reacquaintin%,g themselve.*s_$ with eac.h other, discover? ing- e
ac[)h other's regrets $a-nd unfulfilled desires. ; +#Alive with pa=thos,-) ; hu (.mour _ and insight.　　　　Spe/cia%l Award, Natio_?n
al Socie(;ty of Film Criti+cs Awards　　*+?　　Its  si@# mple city mouse-co$un?try mou
#se story ]involves t
*@he meet/_ing of!! two former \_[schoo+= lmat[e_s\ as they p _-[r@-.( epare for a/ ? sma*_ll-t\ow *!-n ?@concert. Enliv=$ened by Passer'%
s flair for
gr$otesquerie, this unassuming :m*asterpiece. maint-a ,ins (a:: delica?te balance  be
tween hi*,larit^
y +and des
+pair.　+-　　　- Elli/ott
;Stein, V.
#il_lag+ %e Voice　　!?　　Source: HK?(-IFF Czec`(h New Wa+:ve 2(``;0!06