千阳

剧情简介

　　 ^The fil]?m accompanies Magaye.%
Niyang, a star of To%uki-Bouki, a 1972 class%\;?ic di?_$
r[%,:ected by ]*he+r ;own uncl#^+e `/
Djibril @Dio,.p. Following this pa=th, we ]\ar#=:.e )witness of N#: iyang trave !^to a s.$)pe]cial scr`eening of t!^he : $film, whic^ h has a public `%release in h#is old town\ ;.  Niy/ ang seem*.s deta
/.ched and with a heavy lon$ging from th`(`e past, and *therefore, the film debr+(is@ permea$tes eve*\rything with une;scapabl), e sorrow and fascin,.[a
tion.　　Diop-+ film ,is[^!, $ f^%@=irst an\d fo)`rem`?)(ost, a nostalgic ^ travel through memory]??
, ti@];%me and recrea*tion. ] It is also a watermark (+*in contemporary expe)rimental@ ; documentary, =a ve]ry inti.^;ma,te portra*(it ^+ of a los#t+[ long jo\`u:; r] -[%ney through the past ^that _
[`isn’t *!^returnin.g -[)a/;nymore, a detac
hment of rejected fame, recogn:ition and connection%%!@ whi]: ch i]\*s heavi .ly- grou;nde%
[!d on )^a legacy:@ that 
.belongs to,/._ th)@e!\ pas+)t,+ a^ n?/$(d_;] that -conne.#_
cts directly to a`?  ^co:untry (Seneg\al\) and its (her.itage, whic: h is sometimes feel excruc!iati=ng for ;#the #old -ones (a test..imon;`*y such as the ta xi^ sce,ne^ in t
, he]/) film`, /where the; c-.^$ab-[ driver longs for ch!]an?%^ges(\ , and clai[[ms th^\)at the? old generation had done not) hing for that).\[　　Mil)le ;]]Soleils#\ (A T]
!housand Suns) and,? in i() *ts(_elf, Mat#;]i Diop’s crucia;l talent, )/shoul!(d b=e ,a point )/of); refer\\ence@= into wha+ t@ could e))`asily be one of /+the m_$ (ost interestin!*^g pr=oposal ,(?s of:% h)y[brid do_$ c
[[umen/t#ary cine^ ma wh\$ich has co!/me fr/^om F*)/rance,`\ a+(nd which deals with a \^strong# African heritage./ [ Since  3=/5 ) =Rh%$ums!,^ where she (]prove=d*$$$ her actress ta#lent, Diop seems-.? like -a true pr@? om^=@ise for the following years of cinema.