玩偶 1968
剧情简介
T *he Doll i=+==s an[ adapt![+ation o*-f[ the /n ovel^ , ;#The ? _:Doll (novel?%+) by Bolesła)(w? Pr-;?#us:, which is re+ ]g;_\arded b y many( / a!s one + of the fin\[=est Polish novels ever # writte* n and ), a $!l ong wit!,)(h Pharaoh (n^ [ovel)@ , made Bolesła, .;w Prus a potential c;-a`@_nd\,idate fo `r the Nob- $/ el Priz e in literat] -ure. The infl# uence-, of Émile Zola is e_,vide nt, a( */nd ![ some have c ;omp ?+ared the*#; novel to Madame Bov?-ary by !) [Gus;:`tave Flaub er #t bo,th !were Prus' \ @s contem^ ^p or_/ar*_ ies. The movie, . however, m= _ ay be mo^ re compared to Stendhal^'s .Le Roug %\)e et le Noir, (The Red an* d th)e Black). The D\ oll $-#con`st=+#itu .^t!es a pa@ n #orama of l!)^ife in W arsaw betwee]n 1%::@87 ^8 and 1879, and at the same t ime] #/ is a )#su(b,==tle stor`:y of three g;,en%er/ at%io=ns of P%.oli ` sh * idea@ :lists, `;thei=r psycholo@gical co; m/)^pl:$,ications, @ their invol!`vement in the h- !*i.=s.-/tory of the ninete enth ce;/ = ntury_# , social d. r !ama)_$s_, moral pr][+oblems ]% and@* th[]=e ex!perience of , `!tra:/?gic exis*!tenc.;$[e. :=At th[e same time t his stor%/y d`*e[ scribes:_ the d+:i si,@@nte]gration?+ o`\f soc +ial rela=$ t ionshi /)p@s and +#the growi; +ng sepa$_rat!ion of a so-/ciety whose aris-to ;cratic e`%lite spr#_eads the.% models of vanity a_ nd idleness. In[ the bad air of a( ba(?ckward] cou_ntry, anti: -Se(=+:mitic ideas are [born, va *%luable in$)div i))?d)u./_al:#@s me\\] et obstacles_- o ,n the$// ir w?+ay, _ a? nd scoundrels are:# successful. This:!( poetic love*() st@] ory fo*!#\llows a no!uve =au riche ;_mer[?]chan:t,/; Stanisla][w Wokulsk;i, throug@*h a series of tria`+ls and tribul;- ations occasione[d by ##his o-;_b sessive passion f^ or an :ar*= istocrati$c beauty, Izabela( Lecka, played by the famous Pol?i:sh actress?@, Beata Tysz $kiew=[$icz;. Plot: As a= descendant of an imp\:ove] rished Polish nob$.le[ family, young W*/o]. kulski;$@ is forced to wo]+`rk@ a s a waiter at Hopf ^ er&! #39s, a Warsaw restaurant, wh=:[ile drea^!ming of a `lif!e in science]_. After taking part.\:\ in the failed 1863 *[Upris%][ing against Tsaris t Russia, he .$ is s/`entenced = to exile in Sibe#ria. On e,\ventu al ?ret ur; =n;` to *Warsaw, he beco?mes a sale(:s@/,man at Mincel's haberdash :ery.]. *Marr//]*y$,:$ing the= late owner's wi@.!dow, (who eventuall *y d=ie$s), he co\me; s i\ ;-nto money; , and uses;* it t * o (^ set \up a p (ar \tnersh,[ip / wi=] th a R-)us$ ! `si$!*an merchant he ,_ had met while in exi-$l*)e. The two ][mer%]chant([%s go* to B):@ulg. aria during the Rus)//s(o-Turkish War of 1877-78,\@- and ]@)Wokul .ski$@ makes a* f =ortune/ $ supplying the Russian A) #rmy.`,` The enterprising # Wokulsk)( i now prove*s a romanti*c at h_?;ear_t, = f?a ^lling in lo/`ve with Izabela, da-:ugh^;te !r of t`$:he v$acuou s])=, bankrupt arist/!ocrat, `@Tomasz Łęcki. In his @ $q^u,_est ; t!o win Izab)ela,:. Wokulski begins * !frequen$ting theatres and ar )[ ist! ocra[+tic salons a$nd to help - her ] financially distre.ssed father,-[ foun;,ds a comp an/y and : sets t+ he aris@tocrats u.p`! as shareholders i n !his business.The indolence of these aristoc(= rats?, _@( who se./c#]ure with)_ their p?*:ens\+ ions, are too?*+? \?\lazy to un^der$take new busine`.) ss risk$(s, fru*\strate/%s+, - Wok%(u-ls^ki. His ability to @ !make!*; m-oney is respec@:t/= ed b(\ ut h;/is lac[`@k o:(!f fami ly and social r ank is ?con,descended to.$ B\ [ecause of his "help" (in secre*t) t o Izabela&#,$+ 3[9`s/_ impecuni`;ous but+ inf %lue ntial father, the @ `%g irl bec@o^;mes a ware of his affec _tion. In th#e= end she consents $(to a ccept him,=@ but without /]_?true devotion or love./;@(wikipedia)