微望

剧情简介

More than once, t,)he[ pr_^_=ot],#a*goni*=`s[ts in M\*iman^@g won(:[)d])@er wh/+ere t$
hey/-. a([r^_-\\e and wh%ere they’re_ going—it]^- is a c
@o^^?ncrete, geographical question bo*r%_n fr ==om w.alki(ng around the st reets ;]o. ,f Seoul, but as ? the film progre@sses, ^$tha^=t u rban journe`y als%@o proves ;to b%e an exis !tential.* one. W^ e accompany the char acters in s) om
e stretches o. $f th=eir pat-%
h—many ye^_ar^s separate/. each %?-of the ,)]ep`@isodes $t@!h- at make up the f ] ilm, and that di#\stance (]?@r+`eveals/,
 changes t.^,hrough w ha`]$ t rem?ains. Thi%s is n;@ot a film about earthquak$!-es, bu(=t !abo*u\/t small \transform$%ations, *a!nd t$$ )he marks o;` .f t\ime can(? be seen _not (^on-/ly[ /in  _the?? actors’ @.bod%ies, but also[) in that*#-\ other omnip!_re)sent protagonist that is S`$eoul, w)h/+%@.ose vi@tali!$)[ty` invades every shot. Like *(others before him (it’s inev//itab):l)!;e to think [ about Truffaut or @?Linkla.t[$er), he$re,  Kim Taeyan)#$g remi(nd`=s%* us that cinema is the best time $ ]machine that has been invented so far?.